Cover Reveal for Wicked Wagers!

 Drum roll, please . . . and now for what you've all been waiting for breathlessly (or not) -- 

 

Silly, I know, but I always get a thrill when I see the cover of my newest to be released!  And this one has been in the pipeline for soooo long, it's embarrassing to admit.  But 2020 has been a difficult year for so many of us.  The urge to write had almost disappeared last spring, leaving poor Julia and Ben hanging fire.

Well, they're in the hands of the beta and ARC readers; release date will be coming soon, as promised.  As an indie author, I hesitate to put a firm date on the release until I hit the "submit" link to the publishing platform I use.  After all, one never knows what life is going to toss at you these days.

Hope you've been enjoying my blog posts -- and there's still more to come in the weeks ahead -- including a Tuesday's Tips for Writers, which is something I've been playing with for awhile.  

Until next week --  as always --  

Happy Reading!

Claire

British Heavy Cavalry

 One of the great things about writing historical fiction is that we like to thread and embellish our stories with historical facts to bring a strain of realism -- yes, even in romance!   The hero in Wicked Wagers is Benjamin Malory Burton, an ex-cavalry officer from the Heavy Cavalry -- quite different from the better known Light Cavalry.

This is a painting depicting the Royal Scots Greys at Waterloo --  not sure I'd want to see this come charging at me if I was on foot . . . 😓

 

During the Napoleonic Wars, the Heavy Cavalry were nicknamed the "shock troops," using their height and weight and speed to attack and harass the enemy's infantry.  Charges occurred on clear ground with a rise, so they literally appeared to be hurtling down at the infantry soldiers, who were often formed in line, thus being vulnerable to a cavalry charge.

Denis Dighton's painting in the Royal Collection of Sergeant Charles Ewart capturing the Eagle of the 45th Line regiment. It is contemporary to the Waterloo period and is correct in the details of the uniforms and weapons.

Ben entered the cavalry in 1812 and, because of his height, his broad, muscular build and his knowledge and ability with horses, he was an ideal candidate for the Heavy Cavalry. What he experienced and witnessed over the years that he served can only be imagined.  Here's a link to a clip on YouTube from the 1970 movie, Waterloo, featuring Rod Steiger as Napoleon and Christopher Plummer as Wellington .  This scene captures the fierceness of the charge, the speed and the utter destruction that followed.  It leaves you breathless and bewildered . . . 

 

Of Ladies and Lacy Fichus

 Apologies all around for not writing more frequently on my blog -- something I'm determined to correct in the coming weeks.  Today I'm going to talk about my main character, Miss Julia Charlotte Montford, the heroine of Wicked Wagers, due to release in October of this year.

Julia is a feisty one -- spoiled, often impudent, headstrong and all too often making wagers.  If she lived in today's world, she'd probably be buying lottery tickets by the yard!  But one day she makes a wager with the ex-cavalry officer, Benjamin Malory Burton, and her life will never be the same.  

Oftentimes we writers scour the internet and sites like Pinterest to find an image that sparks the imagination of both the writer and the reader.  Many times it's an actress or actor, but this time I stumbled on a series of paintings by John Hoppner, who lived and painted in the late 18th century into the early years of the 19th century.  

And I found Julia -- here she is --

Such a winsome beauty with her dark hair and eyes.  One can almost feel her dreaming about something, suggested by the letter she holds in her hands.  A possible lover?  A husband away in the wars?  Well, she's on my storyboard and when I'm stuck in my writing about her -- what does she want in life?  how does she feel about Ben Burton? --  I look over and see her, eyes fixed on some distant point. You can almost hear her sighing. 

But just for fun, I kept scrolling through Hoppner's works and noticed that he truly did love the ladies.  There are so many portraits of women, it's amazing.  And yes, his works were romanticized, but it was the Age of Romanticism after all, wasn't it?   It struck me that he caught several wonderful examples of that elusive bit of cloth we Regency writers often mention, but that some readers may not quite know what we're referring to -- the infamous fichu -- that lacy bit that hid a woman's bosom from view (or almost).   Here are a few examples by Hoppner and by Eduard Niczky:

This is a portrait of Lucy Byng by Hoppner -- and just look at that amazing detail on the lace.  Quite elaborate, although it doesn't necessarily hide much, does it?  

This next portrait is by Eduard Niczky, who painted later in the mid-19th century, but gives another lovely depiction of a fichu:

 A simpler variation but certainly enticing to the eye of the suitor, wouldn't you say?  I can almost picture Ben slipping this wisp of fabric off Julia as he campaigns to win his wicked wager with her. 

So stay tuned to Wicked Wagers coming next month -- another Regency romp in the English countryside, featuring the intrepid tutors for the School for Sophistication, Lady Caro and the Dowager Lady Rutherford.  If you missed the first book in the series -- The Viscount and the Virgin -- you can buy your copy at any of these ebook vendors.

Read a quick excerpt of The Viscount and the Virgin on Amazon.  Until next week -- Happy Reading!

Claire H.